If there’s one thing Monty Python star John Cleese and Focus on the Family agree on, it’s that hell is a decidedly British place.
At least, that’s what one might assume after hearing their competing audio interpretations of C.S. Lewis’ classic book, The Screwtape Letters.
John Cleese’s masterful interpretation of Screwtape is full of all the eloquence and humor we’ve come to expect from the Python master. His off-the-wall demeanor is well suited to the unusual subject matter, and his ability to transition swiftly between the light-hearted and the dour makes for a reading that is both laugh-out-loud funny and truly terrifying at almost the same time.
Focus on the Family’s latest Lewisian drama departs somewhat from the original text, providing not merely an audiobook but rather a full-cast dramatization of the work. Andy Serkis of Lord of the Rings fame presents a chilling performance of Screwtape, while Bertie Carvel portrays a properly subservient Wormwood.
It’s a beautifully performed drama, with relatively minimal departures from the book. Rather than corresponding, for example, Screwtape and Wormwood plot and pander in person-an adaptation that makes for some impressive sound effects when Screwtape inadvertently transforms himself into a large centipede. These, combined with an original score composed for the production, make for a experience that small children may find too frightening for comfort. Given the subject matter, this is probably just as well.
It’s also a beautifully packaged drama; Cleese may give Serkis a run for his money rhetorically, but it would be difficult to match Focus on the Family’s choice of artists and typographers. The set of five discs includes a DVD presentation of behind-the-scenes footage of making The Screwtape Letters, and a playlist of original songs composed for the drama and inspired by the text.
It’s such a beautiful production, in fact, that one wonders what the point is. Why should one dramatize a perfectly readable book? Much as I enjoyed this audio presentation, I can’t help being bothered by the fact that this new interpretation puts a barrier between reader and text that simply isn’t necessary. There are definite advantages to audio books, but books read aloud are generally best when presented simply and eloquently, as John Cleese does so well in his Screwtape.
Then again, this is a story about hell in all its fury. Perhaps a little distance is wise after all.
Thank you to Tyndale for providing me with a free copy of this work in exchange for my candid review.
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